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Sunday, 1 November 2026

The remaking, by Jessie Anne Jones

 In this poem, I explore how historical figures, especially women, can be hated and then turned into something celebrated over time. The poem also explores the social scapegoating of women who are ‘different and do not conform to societal standards of the time.

 

They will carve her again,

Make her come alive

In remembering

 

The shape of her head

Her neck,

The creases of her mouth

 

Her head, 

But she is long dead

 

In her lifetime

They said,

‘you are wicked,

You know too much,

The books you read

Words you create

Lie, like muck

Around your ankles,

Shodden, shame.

You are the devil,

You don’t obey the proper book.

 

 She didn’t marry,

She lived her life alone –

Poor, cold little spinster

She signified the sickness of the village,

Then, the wider times,

Those who knew of her

Shuddered.

 

They drew her blood,

One by one,

Even the good doctor,

Who was known to be ‘good’

He drew the blood bad,

and so they turned her into

Their sacrifice.

 

The family left her long ago

She lived in that strange house

She was the obvious sacrifice.

 

But she was bright and breezy once

The wind rushed through her hair

As she skipped

Her apple cheeks drew people to her

Kind old ladies, strangers, and

When she was older,

Sometimes bad men.

 

But the light of her was

A drain that could be tapped into

By anyone and all

And they fed from her

The misery that descended like mist

Cast over the village,

Then, swept over the times, like a grey sea.

 

And now, hundreds of years on -

Remember her.

They mark her passing

As if she was some sort of prophet,

Not just a normal woman

With a tough life, like lots.

They praise the carving,

 

In the churchyard, the villagers still gather

To sing hymns

For what they sing, her spirit does not know

To god? To the clouds?

To make themselves feel better?


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