It was not until
this April afternoon as she was driving home from the second visit to the
specialist that Anna realised old age could be completely sidestepped. As casually as she pulled down the sun visor
to shut out the bright glare, death was leaning forward into the present and
was about to shutter out the rest of her life.
She'd arrived
home and done the usual things: kicked off her shoes, made a cup of coffee,
hesitated at the stereo. She chose Bach and the taut control of Glen
Gould. She sat with her favourite chair
tilted back and watched the swaying branches of the mulberry tree. The tree was one of the reasons they had
bought this little Victorian Gothic house, had gone well beyond what they had
worked out was the maximum they could afford.
Each autumn, as they squelched their way to the arched front door, Bob
would say: “You realise we are treading on ten thousand pounds worth of fruit
that we don’t even use.” Like
cantering horses at the circus that appear to move to the rhythm of the music,
the green branches drifted and danced, interweaving with the counterpoint of
Bach’s fugue.
Of course she
was numbed. That must be so or how could
she be sitting here so calmly. Or was it
that, far from being numbed, her mind was racing, cunningly refusing to focus,
and thus allowing her time. She even flicked through the evening paper. There was a last minute ad for the coach trip
to Brussels that Molly and she had talked of going on. After looking in her
diary Molly had had to back out:” Wouldn’t you know! There’s the school “Hamlet”. Tommy’s the father’s ghost. Damn! Damn! All mothers go to heaven, Anna, - even I
will.” Anna had no doubt of it, if
there were a heaven.
Not now.
This was not the moment to consider an after life, continuance in some
form. If she hadn’t been able to
contemplate it for Bob, she was surely not now going to demand it for
herself. They had talked of it in his
last weeks, and she had been fastidiously honest saying that she felt we live
on only in the memories of those that had loved us. Bob had smiled “A good place to live on,
Anna. If the memories are happy ones”
“Do you doubt it?”
“No, but perhaps they could be richer.” He
had taken her hand:” Opportunities missed, things not said…” His hand so thin, skin sunken between the
bones.
“The memories are rich, Bob. How could they not be? And perhaps there is more that memory. What you’ve given me - tolerance, music, a
way of looking at life – what I’ve become: a grafting of some sort.”
Later, when the
leukaemia had triumphed, and the
hospital had ceased giving transfusions, Bob had said: “Memories won't be
enough, Anna. You must marry again. Someone else should know the love that you
have given me.” Anna had held his weak
body and they had wept quietly together.
She had not
married again. There had been one or two
encounters, brief, tentative. She
accepted that the flesh is strong, but loneliness of body was more easily
assuaged than loneliness of heart. At forty-five she felt no more than a shell,
hollow, faded, full of the echoes of what had been. How could she take when she had nothing to
give? And lately the niggling pain had started,
becoming more intrusive, until she had made the appointment to see her doctor.
The phone
rang. It was Molly. “How did it go,
Anna?”
“Okay.
I have to go back in a fortnight.”
It would be Molly that she would turn to. But not yet.
For Molly’s sake and her own she must absorb it herself first.
“How are things with you, Molly?”
“Don’t ask! We could have bumped into each other at the
General. I’ve spent most of the day in A
and E with Tommy. He’s broken his ankle
in a rugby match!”
“Oh, poor boy! I’m sorry! Oh dear!
What about Hamlet?
“Alright, I think. The ghost is supposed to
thump about isn’t it? Tommy says he’s just got one of the props ahead of time.
So, you see, if we’d gone ahead with the Brussels plan I would have had to pull
out. I’ll be ferrying Tommy everywhere
for weeks.”
“I see there are still seats.”
“Don’t tempt me. You could still go though, Anna. Why don’t you? In celebration of no bad
news. You were worried, weren’t you?”
And half an hour
later it was settled. She had rung the coach company, a small local firm,
given her Visa details, and was told to be at
the Market Square next morning at 11.30.
It was flight of course, a false escape, an unreadiness to sit quietly
and face facts, make plans. She knew
that, but she sensed too that to succumb to these few days of evasion could be
a sort of wisdom
The coach left
on time. Anna sat behind Jack, the
driver, who was eating wine gums, sometimes pressing in three at a time. Wine Gum Jack. He was keen, anxious, that they should all
enjoy themselves. Already, down the M1,
lurching nonchalantly between lanes, he was laying before them the pleasures to
come.
“The trip to the battlefield is on
Wednesday, folks.” This “folks” surprised Anna at first, but between
announcements the menace of silence was staved off by his Country and Western
tapes.
Molly and she
had not planned to go on the various trips that were part of this package
holiday. It was still a bargain to be
taken door to door and stay in a good hotel in the centre of the city. They had
planned to wander about, window shop, visit some of the museums and art
galleries, sit in cafes and eat calorie-laden cakes
“And then,
on Thursday …” He seemed aware of the
dichotomy of inviting his flock to enjoy their holiday while visiting scenes of
carnage. He stressed that it is all in
the past - terrible, of course, we must never forget. No, we must never forget.
His
voice kept breaking in,, interrupting Anna’s thoughts, but feeding them too. As
events recede into the past they are less painful. It was this that Anna had resented: Time, the great healer, muffling intensity
with its scar tissue. Well, Time was
about to veer to its other pole: Time, the implacable destroyer.
And now the
ferry. A quiet crossing. The sea was still; so calm that fog drifted
over it. Engines quietened and speed slackened. The grey-white sea was
segmented by three white rails and a seagull drifted by, a grey-white echo that
slipped into the mist. Muted, silent
colours. It seemed strange that calm can
generate danger. In this fog someone
could slip into the leaden water unseen.
Perhaps a head might be turned a moment in idle enquiry at the
sound. Nothing more. Anna thought of Auden’s lines on the Bruegel
painting:
“how
everything turns away
Quite leisurely from disaster"
She had always
liked this poem, written in the contemplation of art, the poet acknowledging
the voice of the painter.
“About suffering they
were never wrong,
The Old Masters: how well they understood
It’s human position:
how it takes place
While someone else
is eating, or opening a window or just
Walking dully along"
She would go and
see “The Fall of Icarus” while she was
in Brussels. It might help her to accept this truth of the human condition:
that suffering takes place while other lives go on. It must be so: the world
cannot take on the burden of everyone’s pain.
It is universal, and it is solitary.
Anna went down
below and sat at the bar sipping her
Chardonnay, thinking back. Had she, had
Bob, been uncaring in the face of human suffering? Unexpectedly, inconveniently, the memory of a
quarrel that they'd had came into her mind.
Serious in that they had gone to
bed in anger, something they had vowed never to do. And yet the quarrel's
origin was so trivial. They'd been
watching the 10 o'clock news waiting for the Monty Python that was to
follow. An earthquake in Sarawak. 800 dead, more tremors expected. She had ridiculed Bob for asking where
Sarawak was. Was it in India he'd asked. “That school of yours! They should have brought you in from the
playing fields occasionally”. He'd got
his own back, asking which way the
Pyrenees ran, Delighted that she'd said
“North , south” he shouted in triumph: “Ha, smarty -pants They run east,
west. I just heard a boy of twelve get
that right so you can stop ramming your
A Level Geography down my throat”. The
Monty Python was switched off. With an
attempt at casual dignity Anna had said “I don't think I'm in the mood for
comedy.”
A double bed is
an unwilling accomplice to a quarrel.
. They lay turned away from each other ,
fighting the pull of gravity that the centre of the bed exerted. The brush of a foot was intrusive, the touch
of a thigh, unbearable. Anna couldn't
bring herself to give the caress, or utter the words needed. Generous, not given to holding grudges, Bob
would have pulled her to him with some
murmured nonsense. But the silence , pregnant
at first, lasted too long. It became
drained of possibilities, a void. Bob slipped into sleep and Anna lay alone.
And Sarawak? The images of destruction, the rushing
ambulances, the dazed, grief-stricken women rocking back and forth by the
rubble of their homes. As they lay
unmoving neither Anna nor Bob gave a thought to the earthquake continuing its
destruction.. Auden was right.
We choose not to see;
“everything turned
away
Quite leisurely from disaster:
the ploughman may
Have heard the splash,the forsaken cry,
But for him it was not an important failure.”
And for them the 800 dead was not an important failure. It
was the events in their own lives that mattered. Anna sat motionless, absorbed
by her flickering thoughts, although aware of the lurching shudder of the ship
docking and of passengers moving towards the stair-wells. Perhaps our humanity is frail, a small candle
glow which reaches only those nearest us.
Was that achievement enough?
Some-one touched
her arm. It was Wine-Gum Jack. “Are you alright, love? Time to get back in
the saddle again.”